Bach Bibliography
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1. Lange, Johann K.:   Methodus Nova & Perspicua in artem Musicam, Das ist Recht gründtliche Anweisung wie die Edle Music mit allen zugehörigen Stücken auffs allerleichteste und gewisseste nach heutiger neuesten Art fähigen Subjectis in kurtzer Zeit beyzubringen sey. Nebst einem Anhange derer jetzo gebräuchlichsten Musicalischen Wörter ... zusammen getragen und auffgesetzet Von Johann Caspar Langen Cantore daselbsten. - Hildesheim: Auctor, 1688. [IX S., S. 46 - 55] - [Mikrofiche-Ausg.] München,Saur, 1999.
2. Voigt, Johann Carl:   Gespräch von der Musik, zwischen einem Organisten und Adjuvanten, darinnen nicht nur von verschiedenen Missbräuchen, so bey der Musik eingerissen, gehandelt, sondern auch eines und das andere beym Clavier- und Orgel-Spielen angemerket wird, etc. [By J. C. Voigt; with a preface by L. Mizler.] Erfurt: Jungnicol, 1742. 140p.
3. G., J.:   On the Clavichord. Harmonicon 8/ 1 (Jan 1830), 13. To the Editor of the Harmonicon. Soho Square, Dec. 17th.
4. La Fage, Juste Adrien de:   Inauguration de l'orgue de Sainte-Clotilde. RevueGazMParis 27/ 1 (1 Jan 1860), 4-5. [Cavaillé-Coll. J. S. Bach, Fugue en 'mi' mineur; César Franck. Lefébure-Wély, improvisation sur des cantiques de Noël]
5. Higgs, James:   C. P. E. Bach. MStandard 8/196 (2 May 1868), 186. Correspondence. [Clementi's 'Practical Harmony' (See 68:198). April 28th]
6. Higgs, James:   On the treatment of Bach's organ music (Concluded from page 284). DwightJM 36/11 (2 Sep 1875), 290-292.
7. Trego, J. Stafford (arr.):   BOUREÉE from J. S. BACH'S THIRD SONATA for the VIOLONCELLO Arranged for the Piano BY STAFFORD TREGO. - London: E. Donajowski, [c.1876] 5p. Pl.-Nr.: Bouree, Bach. Price 3/- [BWV 1009/5-6]
8. Trego, J. Stafford (arr.):   Gavotte (LA MUSETTE) from J. S. BACH'S SIXTH SONATA for the VIOLONCELLO Arranged for the Piano BY STAFFORD TREGO. - London: E. Donajowski, [c.1876] 5p. Pl.-Nr.: Gavotte Bach. Price 3/- [BWV 1012/5-6]
9. Higgs, James:   On the treatment of Bach's organ music. DwightJM 36/10 (19 Aug 1876), 282-284. [Paper read at a meeting of the London College of Organists. To be continued]
10. Higgs, James:   Dr. F. K. Griepenkerl's Metronomic Marks for J. S. Bach's Organ Works. MonMRec 6/72 (Dec 1876), 185.
11. Higgs, James:   Bach's 'Art of Fugue'. ProceedRMA 3 (1876-77), 45-73.
12. Higgs, James:   Fugue. New York: H. W. Gray, 1878. 113p. R/1955, iv, 115p.
13. Bridge, J. Frederick:   Double Counterpoint and Canon. N.Y.: H.W.Gray Co., Inc.; London, Novello, Ewer and Co., 1881. ix, 124p.
14. Bridge, J. Frederick; Higgs, James (eds.):   Eight Short Preludes and Fugues. Edited by J. F. Bridge, ... & James Higgs, ... - London: Novello & Co., [1881]. [ii] + 25p. Pl.-Nr. 6201. (= The Organ Works of John Sebastian Bach, Book 1) [BWV 553-560 (Anh. II)]
15. Bridge, J. Frederick; Higgs, James (eds.):   Preludes, fugues and trio. Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [c.1881]. pp.26-56. Pl.-Nr. 6366. (= The Organ Works of John Sebastian Bach, Book 2); later edn. 56p. Pl.-Nr. 26001. [BWV 589, 568, 588, 680, 131a, 533, 549, 583]
16. Vogt, Jean:   12 melodische Inventionen zur Uebung des polyphonen Klavierspiels u. als Vorbereitung f. das Studium der Joh. Seb. Bach'schen Inventionen. Op. 150. componirt von Jean Vogt. - Berlin: Schlesinger, [1882] 27p. Pl.-Nr.: S. 7440. Mk 2.
17. Bridge, J. Frederick; Higgs, James (eds.):   Fantasias, preludes and fugues. Edited by J. F. Bridge, ... & James Higgs, ... - London: Novello & Co., [1884]. pp.57-87. Pl.-Nr. 6654. (= The Organ Works of John Sebastian Bach, Book 3) [BWV 536, 545, 579, 578, 562, 537]
18. Bridge, J. Frederick; Higgs, James (eds.):   Sonatas or trios for two manuals and pedal (I-III). Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1884]. vii p, pp. 88-123. Pl.-Nr. 6872. (= The Organ Works of John Sebastian Bach, Book 4) [BWV 525, 526, 527]
19. Bridge, J. Frederick; Higgs, James (eds.):   Sonatas or trios for two manuals and pedal (IV-VI). Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1885]. pp.124-162. Pl.-Nr. 7008. (= The Organ Works of John Sebastian Bach, Book 5) [BWV 528, 529, 530]
20. Bridge, J. Frederick; Higgs, James (eds.):   Toccata, preludes and fugues. Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1886]. 41p. Pl.-Nr. 7212. (= The Organ Works of John Sebastian Bach, Book 6) [Toccata & fugue in D minor (BWV 565); Prelude & fugue in D major (BWV 532); Prelude & fugue in F minor (BWV 534); Prelude & fugue 'St Anne' in E flat (BWV 552)]
21. Bridge, J. Frederick; Higgs, James (eds.):   Preludes and fugues [1]. Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1887]. pp.42-87. Pl.-Nr. 7472. (= The Organ Works of John Sebastian Bach, Book 7) [Prelude & fugue in A minor (BWV 543); Prelude & fugue in B minor (BWV 544); Prelude & fugue in C minor (BWV 546); Prelude & fugue in C major (BWV 531); Prelude & fugue in G major (BWV 550)]
22. Bridge, J. Frederick; Higgs, James (eds.):   Prelude and Fugue in B minor. London & New York: Novello, Ewer and Co., [1887] pp. 52-63. Pl.-Nr.: 7472. (= The Organ Works of John Sebastian Bach. Edited by J. F. Bridge,... & James Higgs, ..., Book 7, No. 2) [BWV 544]
23. Bridge, J. Frederick; Higgs, James (eds.):   Preludes and fugues [2]. Edited by J. F. Bridge, ... & James Higgs, ... - London: Novello & Co., [1888]. [ii] + pp.88-135. Pl.-Nr. 7635. (= The Organ Works of John Sebastian Bach, Book 8) [Toccata in C (or E) (BWV 566); Prelude and fugue in E minor (BWV 548); Prelude and fugue in G (BWV 541); Prelude and fugue in G minor (BWV 535); Fantasia and fugue in G minor (BWV 542)]
24. Bridge, J. Frederick; Higgs, James (eds.):   Preludes and fugues [3]. Edited by J. F. Bridge, ... & James Higgs, ... - London: Novello & Co., [1890]. [ii] + pp.137-195. Pl.-Nr. 7847. (= The Organ Works of John Sebastian Bach, Book 9) [Toccata and Fugue in C major (BWV 564); Prelude and Fugue in D minor (BWV 539); Prelude and Fugue in C major (BWV 547), Fantasia in G major (BWV 572); Toccata and Fugue in F major (BWV 540)]
25. Bridge, J. Frederick; Higgs, James (eds.):   Toccata, preludes and fugues. Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1891]. [ii]p, pp.196-243. Pl.-Nr. 9158. (= The Organ Works of John Sebastian Bach, Book 10) [Toccata and fugue, d minor (BWV 538, 'Dorian'); Prelude and fugue, a minor (BWV 551); Passacaglia and fugue, c minor (BWV 582); Fugue, c minor (BWV 574); Prelude, a minor (BWV 569)]
26. Higgs, James (ed.):   Short Preludes and Other Pieces for the Clavier by John Sebastian Bach. Edited, with a short preface, by James Higgs. This book also includes an appendix containing twenty short and easy pieces from the Clavier Book of Anna Magdalena Bach. - London, New York: Novello, Ewer [1893]. 49p. Pl.-Nr.: 9549.
27. Higgs, James (ed.):   Inventions in two and three parts for the clavier by John Sebastian Bach. Edited, with a preface, and short analyses of the several pieces, by James Higgs. - London: Novello, Ewer & Co., [1893]. 6, 63p. Pl.-Nr.: 9543. [BWV 772-801]
28. Bridge, J. Frederick; Higgs, James (eds.):   Four concertos. Edited by J. F. Bridge, ... & James Higgs, ... - London: Novello & Co., [1894]. 54p. Pl.-Nr. 9664. (= The Organ Works of John Sebastian Bach, Book 11) [BWV 592-596]
29. Bridge, J. Frederick; Higgs, James (eds.):   Preludes, fantasias, fugues, trios, &c. Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1895]. pp.55-114 Pl.-Nr. 9935. (= The Organ Works of John Sebastian Bach, Book 12) [Fugue in G major (BWV 577 (Anh. II)); Fantasia and fugue in A minor (BWV 561 (Anh. II)); Fantasia with imitation (BWV 563); Fantasia in G major (BWV 571 (Anh. II)); Fugue in D major (BWV 580 (Anh. II)); Fugue in G major (BWV 576 (Anh. II)); Prelude in C major (BWV 567); Fantasia C major (BWV 570); Prelude in C major (BWV 943); Fugue in C minor (BWV 575); Fugue in C major (BWV 946); Pastorale (BWV 590); Trio (BWV 585); Aria (BWV 587)]
30. Bridge, J. Frederick; Higgs, James (ed.):   Fugue in E flat major: pro organo pleno / [J.S. Bach] Edited by J.F. Bridge and James Higgs. - London: Novello, [c.1900]. pp.83-88 [6p]. Pl.-Nr. 13885. [BWV 552]
31. Bridge, J. Frederick; Higgs, James, West, John Ebenezer (eds.):   The six 'Schübler' chorale prelude and the 'Clavierübung', pt. 3. Edited by J. F. Bridge, James Higgs, J.E. West and John Pointer. With an introduction by Ernest Newman. 'Explanation of the various ornament signs' by John E. West. - London: Novello & Co., [1916]. xi, 88p. Pl.-Nr. 11633, 13885. (= The Organ Works of John Sebastian Bach, Book 16) [BWV 645-650, 669-689, 552]
32. Hennings, Johann:   'Tunderiana'. LübeckBl 75 (1933), 826-830.
33. Detheridge, Joseph:   Chronology of music composers. compiled by Joseph Detheridge. - Birmingham, England: J. Detheridge, c1936-1937. [1. 820 to 1810 -- 2. 1810 to 1937]
34. Bridge, J. Frederick; Higgs, James; Emery, Walter (eds.):   Six sonatas for two manuals and pedal, I-III. Edited by Frederick Bridge and James Higgs, revised by Walter Emery. - London: Novello, c.1940. vii p., pp. [88]-123. Pl.-Nr.: 6872 (= The organ works of John Sebastian Bach, Book 4) [BWV 525-527]
35. Bridge, J. Frederick; Higgs, James; Emery, Walter (eds.):   Fantasia, toccata, preludes & fugues / Bach Edited by Frederick Bridge and James Higgs, revised by Walter Emery. - London: Novello, [c.1940, R/1964]. 48p ([ii], pp. 88-135). Pl.-Nr.: 7635. (= Organ music (Novello). 8 ; Organ works / J.S. Bach, Book 8) [BWV 541, 535, 548, 542, 566]
36. Hennings, Johann:   Neues über Franz Tunder und Dietrich Buxtehude. DMkultur 6 (1941-42), 157-166.
37. Bridge, J. Frederick; Higgs, James; Emery, Walter (eds.):   Toccatas, preludes, and fugues. Edited by Frederick Bridge and James Higgs, revised by Walter Emery. - London: Novello, [1948]. v, 41p. Pl.-Nr.: 7212. (= The organ works of Bach, Book 6) [BWV 553-560 (Anh. II)]
38. Hennings, Johann; Stahl, Wilhelm:   Musikgeschichte Lübecks. Band 2: Geistliche Welt. Kassel [u.a.]: Bärenreiter-Verlag, 1952. 212p.
39. Hennings, Johann; Stahl, Wilhelm:   Musikgeschichte Lübecks. Band 1: Weltliche Musik. Kassel: Bärenreiter, 1951. 305p. [BDok2/102 = p.118]
40. Goodenough, J. P.:   Annual Bach Festival. [Winter Park/Florida.] MAmer 81/ 5 (May 1961), 26. National.
41. Bužga, Jaroslav:   Jan Dismas Zelenka. Bachfest 53 [Marburg] (1978), 89-94.
42. Fairleigh, James P.:   Pachelbel's Magnificat-Fugues Models for J. S. Bach. AmerOrganist(2) 14/ 6 (Jun 1980), 34-37.
43. Bužga, Jaroslav:   Bach, Zelenka a Èeská hudba 19. století. HudebniVeda 19/1 (1982), 49-60. [Bach, Zelenka und die tschechische Musik im 19. Jahrhundert.] Latin 2
44. Bužga, Jaroslav:   Jan Dismas Zelenka. Musica 36/2 (Mar-Apr 1982), 191-193. Musica aktuell.
45. Vegt, J. van der:   Bach-Händel-Tour in de DDR. Orgelvriend 24/ 8 (1982)
46. Fairleigh, James P.:   Italian Prototypes of the Baroque Ritornello. Bach 14/3 (Jul 1983), 2-11.
47. Bužga, Jaroslav:   Pøíspìvky k životopisu Jana Dismase Zelenky. HudebniVeda 21/2 (1984), 137-145. [J. D. Zelenka, Beiträge zur Biographie.] Latin 2
48. Brombaugh, John:   Influence of Johann Sebastian Bach and His Times on Organbuilding in America in the Late 20th Century. AmerOrganist(2) 19/ 3 (Mar 1985), 113-117.
49. Kraege, Jean-Denis:   La Theologie de Jean-Sébastien Bach. EtudesTheolRelig 60/4 (1985), 553-572.
50. Bužga, Jaroslav:   Bachovská konference v Lipsku 1985. HudebniVeda 22/3 (1985), 285-286.
51. Brombaugh, John:   Bach and the Organs of his Time: their influence in America. MTimes 126/1705 (Mar 1985), 171-173, 175-176.
52. Bužga, Jaroslav:   Die Quellen des stille antico in der Dresdner Musiksammlung um 1730. BachSt 9 (1986), 67-71.
53. Brombaugh, John:   Bach's Influence on Late Twentieth-Century. American Organ Building. [ce]JSBOrganist (1986), 41-47.
54. Bužga, Jaroslav:   Jan Dismas Zelenka na královském dvoøe v Drážðanech. HudebniVeda 23/4 (1986), 312-329. [J. D. Zelenka am Königshofe in Dresden] Latin 2
55. Domingo, José Ramos:   Juan Sebastian Bach. Cantatas. Aranjuez: J. Ramos, D.L. 1988. 120p. ISBN: 84-404-2902-9.
56. Bužga, Jaroslav:   Zelenka und Bach im 19. und 18. Jahrhundert. [cr]Leipzig1985 (1988), 367-372.
57. Stockigt, Janice B.:   Die 'Annuae Literae' der Leipziger Jesuiten 1719-1740: Ein Bach-Dokument? BachJb 78 (1992), 77-80. Kleine Beiträge.
58. Brügge, Joachim:   Johann Sebastian Bach, Musikalisches Opfer (BWV 1079): Bemerkungen zum 'Canon a 2 per Tonos' BachJb 78 (1992), 91-100. Kleine Beiträge.
59. Bužga, Jaroslav:   O vztahu Jana Dismase Zelenky k Johannu Sebastianu Bachovi. HudebniVeda 29/2 (1992), 91-102. [About relationship of Jan Dismas Zelenka to Johann Sebastian Bach.]
60. Brügge, Joachim:   KV 574: 'Kleine Gigue in G-Dur' - Bach-oder Händel-Einfluß. MtIStiftMozarteum 49/1-4 (1992), 111-115.
61. Page, Janet. K.:   'To soften the sound of the hoboy': The muted oboe in the 18th and early 19th centuries. EarlyM 21/1 (Feb 1993), 65-76, 78-80. [BWV 246 (Anh. II)]
62. Brügge, Joachim:   Zum Problem der 'Mehrfachlösungen' in den Kanons der Musikalischen Opfers: eine kritische Studie zu Reinhard Böß, Die Kunst des Rätselkanons im Musikalischen Opfer. NMwJb 3 (1994), 81-101.
63. Stockigt, Janice B.:   Two Zelenka masses in J. S. Bach's Nachlaß. [p]BCB_Exeter (Jul 1998) A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1998.
64. Stockigt, Janice B.:   Performance Practice of the Electoral Saxon and Royal Polish Hofkapelle: Evidence from the Performance Materials of Gesù al Calvario, Jan Dismas Zelenka, 1735. [p]AMS_Kansas (Nov 1999) A paper read at American Musicological Society National Meeting in Kansas City, Missouri, November 4- 7, 1999: A session on 'Bach, Telemann, and Performing Forces' chaired by Joshua Rifkin.
65. Domingo, José Ramos:   Juan Sebastián Bach: (las cantatas y la pastoral del canto). Universidad Pontificia de Salamanca, 2000. 150p. ISBN: 84-7299-476-7.
66. Brügge, Joachim:   Ausgewählte Aspekte zur Diskussion der Sonatensatzformen im 18. und frühen 19. Jahrhundert. [cr]Halle1998 2 (2000), 404-410.
67. Kaegi, Jean-Claude:   Unzeitgemäße Betrachtungen zu Bach: organ im Gespräch mit Martin Lücker. Organ(Mainz) 3/4 (2000), 32f.
68. Stockigt, Janice B.:   Jan Dismas Zelenka (1679-1745): a Bohemian musician at the Court of Dresden. Oxford [u.a.]: Oxford Univ. Press, 2000. xxiii, 352p. ISBN: 0-19-816622-2. (= Oxford monographs on music) [contents]
69. Stockigt, Janice B.:   The Other Side of the Coin: Catholic Liturgical Music in Lutheran Saxony During Bach's Era. Context 21 (Autumn 2001), 79-84. Research Report.
70. Stockigt, Janice B.:   Fasch Visits Dresden: c.1726-1728. FaschSt 8 (2001), 29-56.
71. Bužga, Jaroslav:   Die Kirchenkompositionen Dresdner Komponisten in Böhmen. JbKonfMittDBarockM 2001 (2002), 203-213. [Zelenka]
72. Stockigt, Janice B.:   Italian Influences Observed in the Vespers Psalm Settings of Johann Friedrich Fasch. FaschSt 9 (2003), 175-202.
73. Cage, John:   Composition as process: Indeterminacy. In: Audio culture: Readings in modern music, eds. Christoph Cox and Daniel Warner. - New York: Continuum, 2004. xvii, 454p. ISBN: 0-8264-1614-4; 0-8264-1615-2; pp.176-186.
74. Brügge, Joachim; Födermayr, Franz; Gratzer, Wolfgang; Hochradner, Thomas; Mauser, Siegfried:   Musikgeschichte als Verstehensgeschichte: Festschrift für Gernot Gruber zum 65. Geburtstag. hrsg. von Joachim Brügge, Franz Födermayr, Wolfgang Gratzer, Thomas Hochradner und Siegfried Mauser. - Tutzing: Schneider, 2004. 748p. ISBN: 3-7952-1173-5; 978-3-7952-1173-8. [contents]
75. Stockigt, Janice B.:   The royal Polish and electoral Saxon court and state calendars, 1728-50. IrishMStud 8 (2004), 49-64.
76. Page, Janet K. (ed.):   Oboe Concertos / Carl Philipp Emanuel Bach. Edited by Janet K. Page. - Los Altos, CA: Packard Humanities Institute, 2006. xxi, 85p. ISBN: 1-933280-17-4; 978-1-933280-17-2. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 5) [Wq 164, 165 - H. 466, 468]
77. Stockigt, Janice B.:   Consideration of Bach's Kyrie e Gloria BWV 232I within the Context of Dresden Catholic Mass Settings, 1729-1733 [cr]Belfast2007 1 (2007), 52-92.
78. Bužga, Jaroslav:   Zittauer Ausblicke nach Böhmen. JbKonfMittDBarockM 2006 (2007), 163-166.
79. Shuckburgh, Julian:   Harmony & Discord: The Real Life of Johann Sebastian Bach. London: Old Street Publishing, 2009. x, 390p. ISBN-13: 978-1-905847-85-3.
80. Stockigt, Janice B.:   Pisendel's Contributions to the Performance of Liturgical Music in the Dresden Catholic Court Church. DresdnBeitrMf 3 (2010), 551-560.
81. Stockigt, Janice B.:   Methodische Fragen zur Identifikation von Incerta aus dem Dresdner Instrumentalrepertoire. [p]Dresden (Jun 2010) A paper read at the colloquium 'Das Instrumentalrepertoire der Dresdner Hofkapelle in den ersten beiden Dritteln des 18. Jahrhunderts – Überlieferung und Notisten' held at Sächsische Landesbibliothek - Staats- und Universitätsbibliothek, Dresden, 23-25 June 2010.
82. Stockigt, Janice B.:   The Court of Saxony-Dresden. [ce]MusicGermanCourts (2011), 17-49.
83. Owens, Samantha; Reul, Barbara M.; Stockigt, Janice B. (eds.):   Music at German courts, 1715-1760: Changing artistic priorities. Woodbridge: Boydell, 2011. xx, 484p. ISBN: 1-84383-598-3; 978-1-84383-598-1. [contents]
84. Stockigt, Janice B.:   Bach's Missa BWV 232I in the context of Catholic Mass settings in Dresden, 1729-1733. [ce]ExploringBMM (2013), 39-53. Part I: historical background and contexts.
85. Stockigt, Janice B.:   A Te Deum performance in Bautzen by members of Dresden's Hofkapelle: 19 May 1733. [p]BNUK_Warsaw (Jul 2013) A paper read in the session 'burning issues: Bach Looking East' at the Sixth J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013.
86. Stockigt, Janice B.; Owens, Samantha; Szuster, Jula; Maddox, Alan:   'Bach the Sublime': Australasian Reception of the St. Matthew Passion, 1875-1950. [p]BNUK_Warsaw (Jul 2013) A dialogue session presented at the Sixth J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013.
87. Butler, Margaret R.; Page, Janet K. (eds.):   SECM in Brooklyn 2010 : Topics in Eighteenth-Century Music I. Edited by Margaret R. Butler and Janet K. Page. [Selected papers from the 4th biennial conference of the Society for Eighteenth-Century Music was held at St. Francis College in Brooklyn Heights, New York, April 8-11, 2010] - Ann Arbor, MI: Steglein Publishing, 2014. xv, 241p. ISBN: 978-0-9819850-5-3. [contents]
88. Stockigt, Janice B.:   The Visit of Members of the Dresden Hofkapelle to Bautzen: May 1733. UnderstandingBach 9 (2014), 89-92. Reports. http://www.bachnetwork.co.uk/ub9/UB9-Stockigt.pdf
89. Stockigt, Janice B.:   Organists of Leipzig's royal Catholic chapel 1719-1740 (and beyond). [p]BNUK_Cambridge (Jul 2015) A paper presented at the dialogue session 'Music, Musicians and Patronage in Saxon during the reign of August the Strong' at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015.
90. Stockigt, Janice B.:   The Music of Leipzig's Royal Catholic Chapel during the Reign of August II. UnderstandingBach 11 (2016), 57-66. http://bachnetwork.co.uk/ub11/ub11-stockigt.pdf
91. Stockigt, Janice B. :   'Nobody rose or joined in these hymns': Premiere Australian performances of J.S. Bach's St. Matthew Passion (1875-76). AustralianMResearch 17 (2018), 11-28. Chapter 1.
92. Stockigt, Janice B.:   Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited. BachPerspectives 12 (2018), 63-83.
93. Brügge, Joachim:   Über András Schiff und die 'Goldberg-Variationen' Baden-Baden: rombach wissenschaft, 2020. 139p. ISBN: 978-3-96821-012-4.
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